GET BOOKED … AND RE-BOOKED WORKSHOP
GET BOOKED … AND RE-BOOKED WORKSHOP
There isn’t one way to get booked at every comedy club but there are some general unwritten guidelines of the game. Ultimately, comedians have to put themselves in the shoes of the booker - so, what is most important to them when deciding who to have on their show and how can you make their job as easy as possible? And, after you invariably kill it (not just by being funny but by also being a pro), how do you get re-booked?
TOPICS: -email etiquette/tips -video etiquette/tips -being ignored/told “no” -emcee vs. guest vs. feature vs. headliner work -following up -EPK
There isn’t one way to get booked at every comedy club but there are some general unwritten guidelines of the game. Ultimately, comedians have to put themselves in the shoes of the booker - so, what is most important to them when deciding who to have on their show and how can you make their job as easy as possible? And, after you invariably kill it (not just by being funny but by also being a pro), how do you get re-booked?
TOPICS: -email etiquette/tips -video etiquette/tips -being ignored/told “no” -emcee vs. guest vs. feature vs. headliner work -following up -EPK
There isn’t one way to get booked at every comedy club but there are some general unwritten guidelines of the game. Ultimately, comedians have to put themselves in the shoes of the booker - so, what is most important to them when deciding who to have on their show and how can you make their job as easy as possible? And, after you invariably kill it (not just by being funny but by also being a pro), how do you get re-booked?
TOPICS: -email etiquette/tips -video etiquette/tips -being ignored/told “no” -emcee vs. guest vs. feature vs. headliner work -following up -EPK